Art & About: Summer
Arts & Entertainment
by James Gaddy, 05/29/2014
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Thirteen years after the attacks of September 11, another phase in the rebuilding of Lower Manhattan has borne fruit. The 9/11 Museum opened in May next to the 9/11 Memorial with emotionally charged memorabilia from the World Trade Centers—steel columns from the original buildings, images and audio recordings about that fateful day, personal effects from victims and the 60-ton "Last Column," the final piece of steel removed from Ground Zero. The column, covered by handwritten tributes to the rescuers who perished, simultaneously embodies the painful fallout of the event and stands as a totem of strength, resilience and renewal. Meanwhile, across the river in Brooklyn Bridge Park, the Thai-born rising art star Danh Vo provides unintentional symmetry with We the People, a full-scale replica of the Statue of Liberty. Built using the same materials as the original, it will be scattered throughout the park in 250 individual sections rather than assembled and displayed as one whole piece.
"Scarecrow" (2014), by Zilvinas Kempinas. Courtesy, Socrates Sculpture Park
Since it's summer, there are plenty of other outdoor exhibitions to be seen. American artist Rachel Feinstein celebrates her first public art exhibition in the United States with the season-long Folly, a group of three buildings arranged around Madison Square Park—although one will be in a tree—like the set of a theater. But what at first appear to be three-dimensional structures on closer inspection are simply drawn lines on flat panels of aluminum. In Long Island City, the Socrates Sculpture Park opens Scarecrow, a new site-specific work by artist Žilvinas Kempinas that's the largest installation in the park's nearly 30-year history. The 250-foot-long, 13-foot-high "kinetic pathway" is made from 200 stainless-steel mirrored poles that connect overhead to rows of silver Mylar ribbon, giving the effect of a funhouse used-car lot.
"Metallic Venus" (2010–12), by Jeff Koons. Courtesy, Fundación Almine y Bernard Ruiz-Picasso para el Arte. © Jeff Koons
The unrivaled master of shiny objects, Jeff Koons, will be exhibited in all his glory (both figuratively and literally) in a retrospective at the Whitney that opens June 27. Given his popularity, it's hard to believe that he's never had a proper NYC survey, so the museum's invaluable chronological look back—from his early Hoover vacuum cleaners and suspended Spalding basketballs to his ever-popular Balloon Dog sculptures—presents more than 120 objects in all, dating from 1978 to the present. The New York City artist Mel Bochner has often seemed from a vastly different generation than that of Koons and his pop art—one with better production values—but in Strong Language, a show of 70-plus pieces of Bochner's work currently at the Jewish Museum, the conceptual art founding father's lush, giant paintings strike a simultaneously populist note. Nonsensical pairings, emoticons, common turns of phrase—are all welcome in his wildly diverse materials and forms, which include velvet and canvas, drawings and prints. The show runs through September 21.
"Untitled" (1996), by Gregory Crewdson. © Gregory Crewdson. Courtesy, Gagosian Gallery.
For photography aficionados, be sure to check out one of these three can't-miss shows. Through August 3 at the Museum of the City of New York, Brooklyn-born photographer Aaron Rose goes back to a time before Instagram with a show steeped in nostalgia. In a World of Their Own: Coney Island Photographs collects 70 images taken during the 1960s on and around the famed beach and provides an intimate look at how New Yorkers lived at this very specific time and place. Geography also plays an important role at Andrea Meislin Gallery, where the Israeli-born photographer Barry Frydlender hosts Yaffo–Tel Aviv, an exhibition of eight large-scale photographs taken from his studio window over the last 16 years. Meanwhile, Gregory Crewdson's stunning series Fireflies will be at Wave Hill throughout the summer.
And for dedicated followers of fashion, this summer's exhibitions run the gamut of history. The undisputed master of the ball gown, British-born but US-adopted Charles James, gets his belated due in Beyond Fashion, a show at the Met Museum's Costume Institute that holds 65 of the designer's most notable designs, highlighted by a number of well-known pieces from the 1940s and '50s (through August 10). Things get a little racier at the Museum at FIT with Exposed: A History of Lingerie, which opens June 3 and details the backstory behind the bustier, nightgown and corset all the way to the push-up bra. And on June 27, contemporary artists have a crack at the first fashion story ever told, the Garden of Eden, with inventive takes on the ancient tale. Back to Eden: Contemporary Artists Wander the Garden, at the Museum of Biblical Art, features artists as diverse as Marina Zurkow, Fred Tomaselli and Pipilotti Rist.
Madeline in New York: The Art of Ludwig Bemelmans
New-York Historical Society
July 4–October 13
Concurrent with the 75th anniversary of the classic children's book, more than 90 original works from the beloved master will be on view, illustrating how the creator behind the iconic red-haired schoolgirl—with her tan hat and navy uniform—worked in a broad range of different styles (see his murals for Bemelmans Bar, inside the Upper East Side hotel the Carlyle) and media, including walls from a Paris bistro, panels from the Onassis yacht and drawings from all six of his books.
Harmony Korine: Shooters
Gagosian Park & 75
Through June 21
The manic energy behind Korine's Spring Breakers is traded for conceptual clarity in a surprisingly chilled-out series of new paintings, which the artist and director created using uncommon methods of production like painting with brooms, squeegees and masking tape.
Walton Ford: Watercolors
Paul Kasmin Gallery
Through June 21
The latest large-scale paintings by the New York City–based artist continues a line of highly detailed snakes, gorillas, tigers, wolves, owls and other assorted anthropomorphic creatures—some with elaborate backstories written in well-trained script in the margins.
Camille Henrot: The Restless Earth
Through June 29
The up-and-coming French artist takes over the second floor of the Bowery museum with Japanese ikebana flower arrangements, videos of turtles and various reptiles and well-appointed, sometimes bizarre purchases from eBay.
Through July 25
The minimalism godfather (he shared a studio with Frank Stella in the early 1960s) returns to his longtime gallery with a selection of works made during the last 30 years, featuring classic works like Ferox and Ninth Steel Corner, which take rust-weathered industrial steel and integrate it into the corners of the room. Mega-fans of his work, take note: the show coincides with a massive retrospective of his work at Dia:Beacon upstate.
Don't Look Now
Zach Feuer Gallery
Through July 26
Claiming to be an exhibition for the "picture makers," this painting exhibition—organized by the emerging Red Hook gallery 247365—collects 19 artists who focus on genres that have long been out of vogue, like portraiture, still life and landscape. But there's a lot of variety to be had: Nikki Maloof's beach scenes, Keith Mayerson's off-kilter reproductions of presidential portraits, Gina Beavers' close-ups of male torsos and Ted Gahl's often colorful, cartoonish forms.
The Journal Gallery
Venus Over Manhattan
Through July 26
For its 10-year anniversary, the influential Brooklyn gallery-cum-magazine takes over the influential Upper East Side gallery and fills it with works by 21 of the artists that it has championed over the years, including Rita Ackermann, Daniel Hesidence, Kika Karadi, Eddie Martinez and Jeff Elrod.
This Is What Sculpture Looks Like. Courtesy, Postmasters Gallery
This Is What Sculpture Looks Like
Through August 2
Sixteen female artists take over the Tribeca gallery to show not only different ways that sculpture is being made, but also how it's become almost an outlet for self-empowerment—from Natalie Jeremijenko's repurposed zoos and pharmacies, Caitlin Cherry's arsenal of crossbows and cannons, Esperanza Mayobre's sand-castle installations on the beach and Rachel Mason's marionettes and wry political sculptures, like the one of her locking lips with President George W. Bush.
"Girl in Red Dress with Cat and Dog" (1830–1835), by Ammi Phillips, on view in Self-Taught Genius. Courtesy, American Folk Art Museum
American Folk Art Museum
Through August 17
Consider it a small step for the underdog: these pieces, from unheralded artists, many of whose names are lost to history, bear tribute to creative impulses that couldn't be denied. The big hits here are Edward Hicks' The Peaceable Kingdom and Grandma Moses' Dividing of the Ways, just a few of the standouts that give a window onto American culture since the American Revolution.
Swoon: Submerged Motherlands
Through August 24
The local artist made her name wheat-pasting intricate cutouts to the sides of industrial buildings all over the five boroughs, but here she's built a towering tree sculpture that fills the 72-foot-tall rotunda inside the museum. The showstopping piece is offset with two handmade boats that were inspired by the events of Superstorm Sandy and built by 30 different people. The peripatetic vessels first sailed down the Hudson, were shipped to Slovenia and journeyed down Venice's Grand Canal before returning to their original location.
James Lee Byars (c. 1970). © 2011 The Museum of Modern Art. Courtesy, University of California, Berkeley Art Museum and Pacific Film Archive.
James Lee Byars: 1/2 an Autobiography
June 15–September 7
Taken from the title of an exhibition that the well-traveled artist performed for his 37th birthday, this collection of ephemera embraces a wide range of materials—postcards, printed books, correspondence—that all bear the indelible stamp of the artist's Zen-like process.